Jane Campion on “The Power of the Dog”
The New Yorker Radio Hour 
About this episode
<p><span>Jane Campion’s “The Power of the Dog” opens like a classic Western: cattle are herded across the sweeping plains of Montana, with imposing mountains in the distance. But the plot of the film, based on a 1967 novel by Thomas Savage, isn’t exactly a Western. It’s a family drama about two brothers who share in the ranching business but couldn’t be more different, and what happens when one of them brings his new wife and her teen-age son to live on the ranch. “</span><span>The Power of the Dog” is nominated for twelve Academy Awards, the most of any film this year, including Best Picture, Best Director, and Best Actor</span><span>. Campion talks with David Remnick about Benedict Cumberbatch’s starring performance; her experience working with Harvey Weinstein, and how #MeToo has changed the film industry; and why she’d really like to direct a comedy. Plus, Caetano Veloso, a living giant of Brazilian music, was recently profiled for<span> </span><em><span>The New Yorker</span></em><span><span> </span>by Jonathan Blitzer. The staff writer picks some key tracks from Veloso’s vast catalogue that illuminate his long career.</span></span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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