“Giselle,” and What to Do with the Problematic Past – Part II
The New Yorker Radio Hour 
About this episode
<p><span>When the renowned choreographer Akram Khan was commissioned to update the classic “Giselle” for the English National Ballet, he couldn’t simply put new steps to a Romantic-era plot. Beautiful as it is, “Giselle” has a view of ideal womanhood that is insupportable in our century—and it didn’t reflect the women he knew. In Khan’s 2016 “Giselle,” the title character doesn’t chastely expire from a broken heart; she is a strong woman victimized by more powerful men. The story still culminates in an act of forgiveness, but in a way that resonates with the era of #MeToo. Vincenzo Lamagna composed the production’s new score. The producer Ngofeen Mputubwele describes the production as not simply a great modern ballet but a model for how to reimagine a story that doesn’t work anymore.</span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
Listen to this episode in English to learn English
Podcast episodes are one of the highest-density ways to absorb English at native pace. “Giselle,” and What to Do with the Problematic Past – Part II from The New Yorker Radio Hour gives you natural dialogue, unscripted speech, and vocabulary that actually appears in real conversations.
In the Clue app, every word in the transcript is tappable. Tap an unknown word, see the translation in your language instantly, and keep listening without breaking flow.