For Teen Activists, What Good Is a Protest Song?
The New Yorker Radio Hour 
About this episode
<p>Since the Inauguration, in January, there’s been a kind of protest renaissance for those on the left and some in the center of American politics; at rallies and marches, they’ve dusted off chants and songs that became symbols of resistance during the civil-rights and Vietnam eras. But many of these protesters weren’t alive in the sixties, and the songs of their parents’ or grandparents’ generations may not resonate for them. “Primer for a Failed Superpower” was a concert performance, organized by the theatre company the Team, that mixed classic protest songs with contemporary anthems, all sung by a cast that spanned generational lines from boomers to teens. <em>The New Yorker’s</em> <a href="https://www.newyorker.com/contributors/vinson-cunningham">Vinson Cunningham</a> talked to two young performers, Maxwell Vice and Logan Rozos, about how that generational divide played out, and what public protest is worth in the age of social media. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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