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<p>The comedian Fred Armisen has a thing for sound. He’s a former punk musician and a master of accents, and he is now releasing a new album of sound effects. “I was lamenting that there aren’t sound-effects albums in our lives as much,” he tells <a href="https://www.newyorker.com/contributors/michael-schulman">Michael Schulman</a>. “I feel like they just used to exist more or they were more present. . . . And instead of just, you know, taking out my phone and just recording stuff, I wanted to treat it properly. Like, let me go to a recording studio and really do it. Let me try to mimic some things that I’ve heard before.” The result, “100 Sound Effects,” comes out this month on the venerable indie label Drag City. The track titles are themselves punch lines: “Guitar Tuned but Still Somehow Out of Tune,” “Supportive Booing at a Speech,” “Obligatory Applause at a Speech,” and “Terrified Audience at an Authoritarian Nation Official Event.” Talking about the importance of paying attention to the auditory world, Armisen and Schulman went out to record some classic sounds of New York City—and what they couldn’t find they faked.</p><p><i>This segment was produced with assistance from John DeLore. </i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
Слушай этот эпизод на английском, чтобы учить английский
Подкасты — один из самых плотных способов впитать английский в естественном темпе. Fred Armisen on “100 Sound Effects” от The New Yorker Radio Hour даёт живые диалоги, неподготовленную речь и лексику, которая действительно встречается в реальных разговорах.
В приложении Clue каждое слово транскрипта кликабельное. Тапни незнакомое слово, увидь перевод на своём языке мгновенно и продолжай слушать без потери ритма.
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