How Alpha Kappa Alpha Shaped Kamala Harris; Plus, Bill T. Jones

About this episode

<p>One aspect of the Vice-President’s background that’s relatively overlooked, and yet critical to understanding her, is her membership in the sorority Alpha Kappa Alpha. “In one of the bylaws,” the writer Jazmine Hughes tells David Remnick, “it says that the mission of the organization, among many, is to uplift the social status of the Negro.” Far from a Greek party club, A.K.A. "is an identity” to its members. When Donald Trump insinuated that Kamala Harris had “turned Black,” in his words, for political advantage, “a lot of people pointed to her time at Howard, and her membership in A.K.A., [as] a very specific Black American experience that they did not see from someone like Barack Obama.”  </p><p>Jazmine Hughes’s reporting on “<a href="https://www.newyorker.com/magazine/2024/10/28/the-tight-knit-world-of-kamala-harris-sorority">The Tight-Knit World of Kamala Harris’s Sorority</a>” was published in the October 21, 2024, issue of<i>The New Yorker</i>. </p><p>Plus, Kai Wright, who hosts WNYC’s “Notes from America,” speaks with the choreographer Bill T. Jones. This week, the Brooklyn Academy of Music is re-mounting Jones’s work “Still/Here,” which caused a stir when it débuted at BAM, thirty years ago: <i>The New Yorker’s</i> own dance critic at the time, Arlene Croce, declared that she wasn’t going to review it. Now “Still/Here” is considered a landmark in contemporary dance, and Jones a towering figure. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>