The Alabama Fallout, and Louise Erdrich on the Future

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<p>Roy Moore was a classic Trumpian candidate: a political outsider of extreme positions, rejected by the establishment and plagued by accusations of scandal. He eventually garnered the full support of Donald Trump, but Moore was finally too much for voters. A significant number of Republicans wrote other names on their ballots, and Democratic-leaning black voters turned out in force—a combination that gave Alabama its first Democrat to go to Washington in twenty years. David Remnick and the staff writer <a href="https://www.newyorker.com/contributors/amy-davidson-sorkin">Amy Davidson Sorkin</a> discuss what the outcome says about the President’s power and about voters’ feelings on sexual misconduct. With the recent calls for Al Franken’s resignation, congressional Democrats are trying to lay claim to the moral high ground, but Sorkin notes that the Party has yet to put the sins of Bill Clinton entirely behind it. Plus, an interview with Louise Erdrich, who says that she was inspired by Margaret Atwood’s “The Handmaid’s Tale” and by P. D. James’s “Children of Men”—works that put literature in the service of imagining the worst.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>