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<p><span>Before she published “Silent Spring,” one of the most influential books of the last century, Rachel Carson was a young aspiring poet and then a graduate student in marine biology. Although she couldn’t swim and disliked boats, Carson fell in love with the ocean. Her early books—including “</span><a href="https://www.amazon.com/Sea-Around-Us-Special/dp/0195069978"><span>The Sea Around Us</span></a><span>,” “</span><a href="https://www.amazon.com/dp/B004IPPW6K/"><span>The Edge of the Sea</span></a><span>” and “</span><a href="https://www.amazon.com/Under-Sea-Wind-50th-Anniversary/dp/0525249710/"><span>Under the Sea Wind</span></a><span>”—were like no other nature writing of their time, </span><a href="https://www.newyorker.com/contributors/jill-lepore"><span>Jill Lepore</span></a><span> says: Carson made you feel you were right there with her, gazing into the depths of a tide pool or lying in a cave lined with sea sponges. Lepore notes that Carson was wondering about a warming trend in the ocean as early as the 1940s, and was planning to explore it after the publication of “Silent Spring.” If she had not died early, of cancer, could Carson have brought climate change to national attention well before it was too late? </span></p> <p><span>Excerpts from Carson’s work were read by Charlayne Woodard, and used with permission of Carson’s estate. </span></p> <p><i><span>This segment was originally broadcast on September 14, 2018. </span></i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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