My Mother’s Career at “Playboy,” and the Politics of N.F.L. Protest
The New Yorker Radio Hour 
About this episode
<p>The death last month of Hugh Hefner reopened a conversation about the “Playboy” founder and the world he created. Hefner said that his magazine’s pictures of naked or near-naked women were an empowering blow against puritanism; his critics argued that they normalized the degradation of women. Janice Moses was just nineteen and in desperate need of a job when she started in the magazine’s photo department, eventually rising to become a photo editor. Empowered as a professional woman, she became increasingly uncomfortable with the content, especially as “Playboy” began competing with more explicit rivals such as “Hustler.” After Hefner died, Janice’s daughter, Michele Moses—a member of the <em>The New Yorker’s </em>editorial staff—had a few questions about her mother’s years making centerfolds.</p> <p>Also: The <em>New Yorker</em> staff writer Jelani Cobb talks with Bill Rhoden, a writer-at-large for ESPN’s “Undefeated,” about the fifty-year history of black athletes embracing politics on the field. Is it time, they ask, to retire “The Star-Spangled Banner” from football?</p> <p> </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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