David Remnick Talks with Lee Child, the Creator of Jack Reacher
Su questo episodio
<p><span>Lee Child didn’t start writing novels until he lost a prestigious job producing TV in England during a shakeup that he attributes to Rupert Murdoch. He tried his hand at writing a thriller, and found that the new career suited him: with a hundred million copies of his books in print in forty languages, Lee Child’s Jack Reacher novels make up one of the most successful series in print. Every September 1st, he sits down to write a new one. He tells his longtime fan David Remnick that his all-American tough guy is a</span><span><span> </span>modern-day knight-errant wandering the land doing good deeds.</span><span><span> </span>But, at sixty-seven, Child has thought about giving Reacher up. What would he do instead? Catch up on his own reading, finally getting around to Jane Austen and other classics. “Remember, I’m from Europe,” he points out. “I have no work ethic.” Plus, the contributor Graciela Mochkofsky on three classics of Argentinean music that she hated growing up, but came to embrace while living in America under<span> </span><a href="https://www.newyorker.com/tag/coronavirus"><span>COVID</span></a><span>.</span></span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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