For Brontez Purnell, “Memoir Is Fiction—I Don’t Care What Anyone Says”
À propos de cet épisode
<p>Brontez Purnell is a Renaissance man. He’s a musician, a dancer, a filmmaker, and the author of a number of books. His latest is “<a href="https://www.amazon.com/Ten-Bridges-Ive-Burnt-Memoir/dp/0374612692">Ten Bridges I’ve Burnt</a>,” a departure from the traditional memoir form. It's written in verse and playfully embellishes the truth throughout. “Memoir is fiction—I don’t care what anyone says,” Purnell tells The New Yorker Radio Hour’s Jeffrey Masters. “You [or] I could both write down our lives as true as we know it. But the second our mom reads it, or one of our siblings reads it, or anybody else peripherally in the book, they can easily say, ‘What are you talking about? That never happened like that.’ ” Purnell, who came of age in the underground punk scene in Oakland, California, during the early two-thousands, is no stranger to hard knocks, but that doesn’t mean he needs to divulge everything. “If you write about your life, you have to protect the wicked; namely, yourself,” he says. “So there is this game of pulling and punching.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
Écoute cet épisode en anglais pour apprendre l'anglais
Les épisodes de podcast sont l'un des moyens les plus denses d'absorber l'anglais au rythme natif. For Brontez Purnell, “Memoir Is Fiction—I Don’t Care What Anyone Says” de The New Yorker Radio Hour t'offre des dialogues naturels, une parole non scriptée et du vocabulaire qui apparaît vraiment dans les conversations réelles.
Dans Clue, chaque mot de la transcription est touchable. Touche un mot inconnu, vois la traduction dans ta langue instantanément, et continue d'écouter sans casser le rythme.
Épisodes pour apprendre l'anglais
- The World Cup, the Knicks, and LeBron James’s Fate: An All-Time Summer in Sports 10 juil. 2026
- The Sounds of Summer, with Fred Armisen 7 juil. 2026
- Alicia Keys’s New York Musical Goes on National Tour 3 juil. 2026
- From The Political Scene: Donald Trump’s Dangerous Politicization of America’s Spy Agencies 30 juin 2026
- America at 250: A View from Britain, with “The Rest Is History” 26 juin 2026
- From Critics at Large: Steve Spielberg's Blockbusters 23 juin 2026
- Hillary Clinton on How Donald Trump Lost the Iran War 18 juin 2026
- The Sports Journalist Pablo Torre Has a Pulitzer, but Still Feels Like the “Turd” in the Pool 16 juin 2026
- Rachel Goldberg-Polin on Losing a Son in Gaza 12 juin 2026
- Seeing the Dark Side of the Moon on NASA’s Artemis II Mission 9 juin 2026
- Jack Schlossberg, the Kennedy Running for Congress in New York 5 juin 2026
- Bonus: David Remnick Takes Calls on the Midterms and the Media 4 juin 2026
- Colson Whitehead on His Harlem Trilogy 2 juin 2026
- Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska 29 mai 2026
- A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency 26 mai 2026
- The U.F.C. President, Dana White, on Donald Trump: “He’s Not a Racist” 22 mai 2026
- America at 250: A View from the Streets 19 mai 2026
- The History Wars and America at 250, with the Historian Jill Lepore 15 mai 2026
- Growing Up with a Mother in Prison 12 mai 2026
- Barack Obama in the Trump Era 8 mai 2026
- The N.B.A. Legend Steve Kerr 5 mai 2026
- How a Trump-Endorsed Republican Could Become California’s Next Governor 1 mai 2026
- “Fat Swim” and Literature’s Fatphobia Problem 28 avr. 2026
- Why Senator Rand Paul Voted to Limit Donald Trump’s War Powers 24 avr. 2026
- Patrick Radden Keefe on “London Falling,” His Book About a Teen-Ager’s Mysterious Life and Death 21 avr. 2026
- A Genocide Scholar Asks “What Went Wrong” in Israel 17 avr. 2026
- Anna Wintour as Vogue Icon 14 avr. 2026
- Sam Altman’s Trust Issues at OpenAI 10 avr. 2026
- Pick Three: Spring Sports News 7 avr. 2026
- How Donald Trump’s War on Iran Helps Vladimir Putin’s War on Ukraine 3 avr. 2026