The New Yorker Radio Hour

Charlamagne tha God Has Some Advice for Kamala Harris and the Democrats

<p>In these final days of the Presidential campaign, Vice-President Kamala Harris has been getting in front of voters as much as she can. Given the polls showing shaky support among Black men, one man she absolutely had to talk to was Lenard McKelvey, much better known as Charlamagne tha God.  As a co-host of the syndicated “Breakfast Club” morning radio show, Charlamagne has interviewed Presidential candidates such as Harris, Hillary Clinton, and Joe Biden, as well as New York City’s embattled Mayor Eric Adams and many more. He tells David Remnick that he received death threats just for speaking with Harris—“legitimate threats, not … somebody talking crazy on social media. That’s just me having a conversation with her about the state of our society.  So imagine what she actually gets.”  Charlamagne believes firmly that the narrative of Harris losing Black support is overstated, or a polling fiction, but he agrees that the Democrats have a messaging problem. The author of a book titled “<a href="https://www.amazon.com/Get-Honest-Die-Lying-Small/dp/1982173793">Get Honest or Die Lying</a>,” Charlamagne says that the Party has shied away from widespread concerns about immigration and the economy, to its detriment.  “I just want to see more honesty from Democrats. Like I always say, Republicans are more sincere about their lies than Democrats are about their truth!”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Stakes for Abortion Rights, from the Head of Planned Parenthood

<p>If Vice-President Kamala Harris wins in November, it will likely be on the strength of the pro-choice vote, which has been turning out strongly in recent elections. Her statements and choices on the campaign trail couldn’t stand in starker relief against those of Donald Trump and his running mate, J. D. Vance, who recently called for defunding Planned Parenthood. Meanwhile, Harris “is the first sitting Vice-President or President to come to a Planned Parenthood health center, to come to an abortion clinic, and really understand the conversations that have been happening on the ground,” Alexis McGill Johnson, Planned Parenthood’s president and C.E.O., told David Remnick. The organization is spending upward of $40 million in this election to try to secure abortion rights in Congress and in the White House. A second Trump term, she speculates, could bring a ban on mifepristone and a “pregnancy czar” overseeing women in a federal Department of Life. “Is that scary enough for you?” Johnson asks. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

With “The Warriors,” Lin-Manuel Miranda Takes on Another New York Story

<p>Since the blockbuster success of his musical “Hamilton,” Lin-Manuel Miranda has been busy: acting, directing, and composing for Disney projects, including the upcoming movie “Mufasa: The Lion King.”  But his new project is more personal, and a throwback in the best sense. Working with the playwright Eisa Davis, he has reimagined a movie from his childhood as a concept album.  “The Warriors” is a cult classic released in 1979. “The Warriors are a gang from Coney Island, and they have to fight their way from the Bronx all the way back down to Coney Island in the course of the film,” Miranda tells David Remnick. The film reads as a nineteen-seventies period piece, but Miranda and Davis find a classical dimension to it. “The tale is an old tale. Sol Yurick, who wrote the novel the movie is based on, based it on the Anabasis, which is a soldier’s account of trying to get back home from war” in ancient Greece. “It’s this mythic story. . . . It doesn’t get more clear than that as a plotline.” To tell that story in song and rap, Miranda brought together a cast of legends including Lauryn Hill, Nas, Marc Anthony, members of the Wu-Tang Clan, and more. If releasing a concept album, meant to be listened to straight through, seems like a stretch for 2024 audiences, Miranda is unfazed.  “What’s interesting about “Hamilton” is that no one I talked to thought it was a good idea when I was writing it.  But I could see it. And it was the idea that wouldn’t leave me alone.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Bon Iver on “SABLE,” His First New Record in Five Years

<p>Bon Iver is the alias of Justin Vernon, who holds an unusual place in music as both a singer-songwriter in an acoustic idiom and a collaborator with the biggest stars in pop, including Taylor Swift, Charli XCX, and Kanye West. Bon Iver’s new three-song EP, titled “SABLE,” is his first record of his own songs in more than five years. Vernon rarely gives interviews, so this is an extended version of his conversation with the staff writer <a href="https://www.newyorker.com/contributors/amanda-petrusich">Amanda Petrusich</a>. They touched on the meaning of “sable,” a word that can refer to mourning and darkness. Vernon is not altogether comfortable with the acclaim he has received. “I’m not, like, famous on the street, <i>People-</i>magazine famous, but . . .  there’s been a lot of accolades,” he tells Petrusich. “I was getting a lot of positive feedback for being heartbroken and having heartache and I’ve wondered . . . [if] maybe I’m pressing the bruise.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Astonishing Rise—and Uncertain Odds—of Kamala Harris’s Presidential Campaign

<p>Since July 21st, when Joe Biden endorsed her in the Presidential race, all eyes have been on Vice-President Kamala Harris. <i>The New Yorker</i>’s <a href="https://www.newyorker.com/contributors/evan-osnos">Evan Osnos</a> has been reporting on Harris for months, speaking with dozens of people close to her from her childhood to her days as a California prosecutor, right up to this lightning-round campaign for the Presidency. “What’s interesting is that some of those people . . . were asking her, ‘Do you think there should be a process? Some town halls or conventions?,’ ” Osnos tells David Remnick. “And her answer is revealing. . . . ‘I’m happy to join a process like that, but I’m not gonna wait around. I’m not gonna wait around.’ ” But if Harris’s surge in popularity was remarkable, her lead in most polls is razor-thin. “If she wins [the popular vote] and loses the Electoral College, that’ll be the third time since the year 2000 that Democrats have suffered that experience,” he notes. “You can’t underestimate how seismic a shock and a trauma—that’s not an overstatement—it will be, particularly for young Americans who have tried to say, ‘We’re going to put our support behind somebody and see if we can change this country.’ ”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Brian Jordan Alvarez on “English Teacher”

<p>Between book bans, the movement for parental rights, the fight over cellphones, and budgets being slashed, life in a public school is stressful—and a fertile ground for comedy. Brian Jordan Alvarez created and stars in “English Teacher,” débuting this season on FX. Alvarez has been an actor for many years, with a role on the reboot of “Will & Grace,” among many others, but he burst into viral fame on TikTok with a goofy song about the virtues of sitting, sung in a strange accent. Suddenly everybody was talking about him—including the staff writer <a href="https://www.newyorker.com/contributors/vinson-cunningham">Vinson Cunningham</a>, who spoke with Alvarez recently. The new show is a much more conventional kind of social comedy, focussed on a gay Latino English teacher in Texas. “Evan wants to be, and is, in so many ways, essentially an out, proud gay guy,” Alvarez explained to Cunningham. “But how does that feel in this school with all these different forces coming at him?”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Newt Gingrich on What Trump Could Accomplish in a Second Term

<p>Long before Donald Trump got serious about politics, Newt Gingrich saw himself as the revolutionary in Washington, introducing a combative style of party politics that helped his party become a dominating force in Congress. Setting the template for Trump, Gingrich described Democrats not as an opposing team with whom to make alliances but as an alien force—a “cultural élite”—out to destroy America. Gingrich has written no less than five admiring books about Trump, and he was involved with pushing the lie of the stolen election of 2020. Like many in the Party, he balks at some of Trump’s tactics, but always finds an excuse. “I would probably not have used the language Trump used,” for example in calling Vice-President Kamala Harris “mentally disabled,” Gingrich says. “Partly because I think that it doesn’t further his cause. . . . I would simply say that he is a very intense personality . . . and occasionally he has to explode.” But he sees Trump as seasoned and improved with age, and his potential in a second term far greater. “It’s almost providential: he’s had four years [out of office] to think about what he’s learned . . . and he has a much deeper grasp of what has to be done and how to do it.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Could the War in Gaza Cost Kamala Harris the Election?

<p>In Michigan, many voters—particularly Arab American and Muslim voters—remain deeply upset by the Biden Administration’s support for the Israeli military, in the face of the enormous death toll in Gaza. In her Presidential campaign, Kamala Harris has not articulated any major shift in policy. Earlier in the year, during the primary elections, activists urged Democrats to check the box for “Uncommitted,” as a rebuke to Biden. But now, just weeks away from the general election, these disaffected Democrats could cost Harris the election. Andrew Marantz, who has <a href="https://www.newyorker.com/magazine/2024/09/30/uncommitted-voters-gaza-election-michigan-harris-trump">reported on the Uncommitted Movement</a>, talks with one of the its founders, Abbas Alawieh, about the difficult moral calculus facing Muslim Democrats, and why the Party spurned overtures from pro-Palestinian groups. The antiwar candidate Jill Stein, of the Green Party, is now polling very well with Muslim voters, and Donald Trump’s campaign is claiming that he can stop the war; however, Uncommitted leaders feel they cannot endorse Harris. In conversation with David Remnick, Marantz recalls that Hillary Clinton lost Michigan by around ten thousand votes; more than one hundred thousand people checked “Uncommitted.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Young Donald Trump, Roy Cohn, and the Dark Arts of Power

<p>Actors and comedians have usually played Donald Trump as larger than life, almost as a cartoon. In the new film “The Apprentice,” Sebastian Stan doesn’t play for laughs. He stars as a very young Trump falling under the sway of Roy Cohn (played by Jeremy Strong)— the notorious, amoral lawyer and fixer.  “Cohn took Donald Trump under his wing when Donald was a nobody from the outer boroughs,” the film’s writer and executive producer Gabriel Sherman tells David Remnick. He “taught him the dark arts of power brokering … [and] introduced him to New York society.” Sherman, a special correspondent at <i>Vanity Fair</i>, also chronicled Roger Ailes’s rise to power at Fox News in “The Loudest Voice in the Room.” Sherman insists, though, that the film is not anti-Trump—or not exactly. “The movie got cast into this political left-right schema, and it’s not that. It’s a humanist work of drama,” in which the protégé eventually betrays his mentor. It almost goes without saying that Donald Trump has threatened to sue the producers of the film, and the major Hollywood studios wouldn’t touch it.  Sherman talks with Remnick about how the film, which opens October 11th, came to be.</p><p> Plus, <a href="https://www.newyorker.com/contributors/jill-lepore">Jill Lepore</a> is a <i>New Yorker </i>staff writer, a professor of history at Harvard University, and the author of the best-seller “<a href="https://www.amazon.com/These-Truths-History-United-States/dp/0393635244">These Truths</a>” as well as many other works of history. While her professional life is absorbed in the uniqueness of the American experience, she finds her relaxation across the pond, watching police procedurals from Britain. “There’s not a lot of gun action,” she notes, “not the same kind of swagger.” She talks with David Remnick about three favorites: “Annika” and “The Magpie Murders,” on PBS Masterpiece; and “Karen Pirie,” on BritBox. And Remnick can’t resist a digression to bring up their shared reverence for “Slow Horses,” a spy series on Apple TV+ that’s based on books by Mick Herron, whom Lepore <a href="https://www.newyorker.com/magazine/2022/12/05/is-mick-herron-the-best-spy-novelist-of-his-generation">profiled</a> for <i>The New Yorker</i>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Timothy Snyder on Why Ukraine Can Still Win the War

<p>Since the war in Ukraine began, the historian Timothy Snyder has made several trips to Ukraine, and it was there that he wrote parts of his newest book, “On Freedom.” The author of “Bloodlands” and “On Tyranny,” Snyder spoke in Ukrainian with soldiers, farmers, journalists, and politicians, including President Volodymyr Zelensky.  He talks with David Remnick about the Ukrainian conviction that they can win the war, and the historical trends that support that conviction.  But the thrust of Snyder’s new book is to apply what he learned from them to larger principles that apply to our own country.  In areas taken back from Russian control, Ukrainians would tell Snyder they were “de-occupied,” rather than liberated; “freedom,” he writes, “is not just an absence of evil but a presence of good.”</p><p>“If you think that freedom is just negative,” Snyder told David Remnick, “if you think that freedom is just an absence of [evil] things, I think you then argue yourself into a position where given the absence, stuff is going to work out. … The market is going to deliver you freedom, or the founding fathers … something else is going to deliver you freedom. And that of course is wrong. It’s an essentially authoritarian conviction. Because if anyone’s going to deliver you freedom, it’s going to be you, in some way.” </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Can Trump Voters Still Change Their Minds?

<p>The political strategist Sarah Longwell has dedicated the last seven years to understanding why so many Republicans find Donald Trump irresistible, and how they might be persuaded to vote for someone else. Longwell is a lifelong Republican who became a leader of the Never Trump wing of the G.O.P., and her communications firm, Longwell Partners, has been running weekly focus groups including swing-state voters, undecided voters, and discontented Trump supporters. These are the people who might determine the winner of the 2024 election. “I think that Donald Trump has done more damage to himself with a lot of these people who held their nose and voted for him the second time; [after] January 6th, a lot of them are going to leave it blank,” Longwell told David Remnick. “At the end of the day, what this election will come down to is the Republicans who get there on Kamala Harris, and the ones who just refuse to get there on Trump.” Longwell publishes the political news site the Bulwark, and was also the first female national board chair of the Log Cabin Republicans, which represents L.G.B.T.Q. conservatives.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Lake Street Dive Performs in the Studio

<p>Lake Street Dive recorded their first album with money that their bassist won in a songwriting contest. They built a following the old-fashioned way, touring small venues for years and building a loyal following of fans—including David Remnick—who thought of them as an under-the-radar secret. Almost twenty years later, the band finds themselves onstage at Madison Square Garden. “My main inspiration for playing M.S.G. is Billy Joel,” the bassist Bridget Kearney said. “It feels like the club when he’s playing there, because he’s so comfortable there. . . . Like, ‘Welcome to my monthly gig, here again at Madison Square Garden.’ It won’t be quite like that for us . . . but I’d love it if we could in some ways make it feel intimate, make it feel like it’s a gigantic dive bar.”</p><p>They joined David Remnick in the studio at WNYC to perform “Good Together”and “Set Sail (Prometheus & Eros),” from their new album, and “Shame, Shame, Shame,” an older song about a Donald Trump-like “big man” who doesn’t “know how to be a good man.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Josh Shapiro on How Kamala Harris Can Win Pennsylvania

<p>In 2024, all eyes are on Pennsylvania: its nineteen electoral votes make it the largest swing state, and it’s considered a critical battleground for either <a href="https://www.newyorker.com/tag/donald-trump">Donald Trump</a> or <a href="https://www.newyorker.com/tag/kamala-harris">Kamala Harris</a> to win the White House. For many years, Pennsylvania trended slightly blue, but the state has become deeply purple—with a divided state House and a series of razor-thin margins in general elections. One notable exception to this was the 2022 Pennsylvania governor’s race. The Democrat Josh Shapiro won by almost fifteen points against a Trump-aligned Republican, and his approval ratings in the state remain high. “To win in Pennsylvania, you’re not winning with only Democrats,” Shapiro told David Remnick. “You’ve got to get like-minded Independents and Republicans.” Shapiro was on the shortlist of candidates for Harris’s pick for Vice-President—which may be the cause of attacks from Donald Trump, including one calling him an “overrated Jewish governor.” He spoke with Remnick to talk about Harris’s <a href="https://www.newyorker.com/news/daily-comment/what-tim-walz-brings-to-kamala-harriss-campaign-to-beat-donald-trump">choice</a> of Minnesota’s governor, <a href="https://www.newyorker.com/tag/tim-walz">Tim Walz</a>, as her running mate, and what it takes for a Democrat to win Pennsylvania. “We’re a big state, but we’re still a retail state,” Shapiro said, “meaning you got to show up!”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

A Legend on Broadway, Patti LuPone Makes Her Début in the Marvel Cinematic Universe

<p>Patti LuPone has been a mainstay on Broadway for half a century. She’s appeared in some 30 Broadway productions and has won three Tony Awards for her roles in “Evita,” “Gypsy,” and “Company.” And somehow, LuPone’s career seems to be picking up steam in its sixth decade. Now LuPone is returning to Broadway in “The Roommate,” a play she’s starring in alongside Mia Farrow.  At the same time, she is débuting in the Marvel Cinematic Universe, playing a witch in the miniseries “Agatha All Along.”  The staff writer Michael Schulman first wrote about LuPone (in one <a href="https://www.newyorker.com/culture/culture-desk/when-patti-lupone-haunted-a-laundromat">strange, forgotten dead end</a> of her career) in 2019, and recently spoke with LuPone at her home.  Is it true, he wanted to know, that LuPone recently had Aubrey Plaza—her castmate on “Agatha”—for a short-term roommate?  Plaza had been offered her first role in a play, as LuPone relates it, and “she'd never been onstage. I know from years of experience how it can shock you, what is required of you to be a stage actor.” LuPone, the veteran, “was concerned for her. I said, Why don't you just stay with me and let me walk you through this as you come home like a deer caught in the headlights. … I did do her laundry, and I did make her soup.” </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Preparing For Trump’s Next “Big Lie,” with the Election Lawyer Marc Elias

<p>Of the sixty-five lawsuits that Donald Trump’s team filed in the 2020 election, Democrats won sixty-four—with the attorney Marc Elias spearheading the majority.  Elias was so successful that Steve Bannon speaks of him with admiration.  </p><p>Now Marc Elias is working for Vice-President Kamala Harris’s campaign, and, despite his past victories, Elias says that 2024 is keeping him up at night.  The bizarre antics and conspiracy theories of Rudy Giuliani are a thing of the past, Elias tells David Remnick: “We should all expect that they are more competent than they were before. And also Donald Trump is more desperate than he was before. … He faces the prospect of four criminal indictments, two of which are in federal court.” Election-denying officials are now in power in many swing states; Trump has publicly praised his allies on state election boards.  Elias fears the assault on the democratic process could be much more effective this time.  Still, some things don’t change. “I believe Donald Trump is going to say after Election Day in 2024 that he won all fifty states—that there’s no state he didn’t win,” Elias says. “That is just the pathology that is Donald Trump.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Ian Frazier’s Tour of “Paradise Bronx”

<p>“I like to look at places that people aren’t seeing,” says <a href="https://www.newyorker.com/contributors/ian-frazier">Ian Frazier</a>, the author of “Great Plains” and “Travels in Siberia,” and the new “<a href="https://www.amazon.com/Paradise-Bronx-Times-Greatest-Borough/dp/0374280568/?ots=1&tag=thneyo0f-20&linkCode=w50">Paradise Bronx: The Life and Times of New York’s Greatest Borough</a>.” “Not only do people not know about” the Bronx, “but what they know about it is wrong.”  The book, which was <a href="https://www.newyorker.com/magazine/2024/07/22/paradise-bronx">excerpted recently</a> in <i>The New Yorker</i>, came out of fifteen years’ worth of long walks through the city streets, and on a hot morning recently, he invited a colleague, <a href="https://www.newyorker.com/contributors/zach-helfand">Zach Helfand</a>, to join him on foot. They admired the majestic Romanesque-style stonework of the High Bridge, where Edgar Allan Poe would walk while mourning his wife, in the eighteen-forties; the impressively tangled connections of the interstate highway system that engineers once called “chicken guts”; and walked east to the Cedar Playground, which has a strong claim to being the birthplace of hip-hop.  </p><p><i>Note: The segment misstates the year Edgar Allan Poe moved to the Bronx. Poe moved to New York City in 1844, and to the Bronx in 1846. </i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Writer Danzy Senna on Kamala Harris and the Complexity of Biracial Identity in America

<p>In fiction and nonfiction, the author Danzy Senna focusses on the experience of being biracial in a nation long obsessed with color lines. Now that Kamala Harris is the Democratic candidate for President, some of Senna’s concerns have come to the fore in political life. Donald Trump attacked Harris as a kind of race manipulator, implying that she had been Indian American before becoming Black for strategic purposes.  The claim was bizarre and false, but Senna feels that it reflected a mind-set in white America. “Mixed-race people are sort of up for debate and speculation, and there’s a real return to the idea that your appearance is what matters, not what your background is or your identity,” she tells Julian Lucas, who wrote about Senna’s work in <i>The New Yorker</i>.  “And if your appearance is unclear to us, then we’re going to debate you and we’re going to discount you and we’re going to accuse you of being an impostor.”  Senna talks about why she describes people like herself and Lucas using the old word “mulatto,” despite its racist etymology. “The word ‘biracial’ or ‘multiracial’ to me is completely meaningless,” she says, “because I don’t know which races were mixing.  And those things matter when we’re talking about identity.”  Senna’s newest novel, “Colored Television,” follows a literary writer somewhat like herself, trying to find a new career in the more lucrative world of TV.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

A Pulitzer Prize Winning Take on Finance

<p>In honor of what is for many people the final days of summer, the New Yorker Radio Hour team presents a conversation that may inspire your end-of-summer reading list: David Remnick talks to Hernan Diaz about his book, <i>Trust</i>, which won a Pulitzer Prize in 2023. The novel’s plot focuses on the daughter of eccentric aristocrats after she marries a Wall Street tycoon of dubious ethics during the Roaring Twenties. The novel is told by four people in four different formats, which offer conflicting accounts of the couple’s life, the tycoon’s misdeeds, and his role in the crash of 1929. “What I was interested in, and this is why I chose finance capital, I wanted a realm of pure abstraction,” he tells David Remnick. Diaz’s first book,<i> In The Distance</i>, will be released in hardback for the first time in October.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

From In the Dark: What Happened That Day in Haditha?

<p>This program is drawn from a new season of the award-winning investigative podcast <a href="https://link.chtbl.com/tnyitds3">In the Dark</a>. On a November day in 2005, in the city of Haditha, Iraq, something terrible happened. “Depending on whose story you believed, the killings were a war crime, a murder,” the lead reporter Madeleine Baran says. “Or they were a legitimate combat action and the victims were collateral damage. Or the killings were a tragic mistake, unintentional—sad, but not criminal. Basically, the only thing that everyone could agree on was that twenty-four people had died, and it was marines who’d killed them.” Season 3 of In the Dark looks at what happened that day in Haditha, and why no one was held accountable for the killings. Baran and her team travelled to twenty-one states and three continents over the course of four years to report on a story that the world had largely forgotten. Episode 1 airs this week on The New Yorker Radio Hour, and you can listen to the rest of the series <a href="https://link.chtbl.com/tnyitds3">wherever you get your podcasts</a>.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

For Republicans, the End of Abortion Rights Was a Dangerous Victory

<p>At the Republican National Convention in July, a platform plank in place for decades that called for a national abortion ban was removed—right at the moment that such a ban has actually become legally possible, after the Supreme Court’s Dobbs decision. Donald Trump has tried to distance himself from hard-line pro-life positions, saying that abortion rights sitting with the states “is something that everybody wanted.” <i>The New Yorker’s</i> Washington correspondent Susan B. Glasser explores the tension within the Republican Party and speaks with David Remnick about her reporting, including an interview with Representative Matt Rosendale, of Montana. A hard-liner dismissive of pragmatic compromise, Rosendale believes that life begins at conception, and he is challenging his House Republican colleagues to vote their convictions and ban in-vitro fertilization.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Why Are More Latino Voters Supporting Trump?

<p>Despite a surge of enthusiasm for Vice-President Kamala Harris’s campaign, the 2024 race remains extremely competitive. And one factor very much in Donald Trump’s favor is an increased share of support from Latino voters. Anti-immigrant messaging from Trump and the Republican Party has not turned off Latino voters; he won a higher percentage of Latino voters in 2020 than in 2016, and he was roughly tied with President Biden at the time Biden stepped out of the race in July. Geraldo Cadava, the author of “The Hispanic Republican,<i>”</i> <a href="https://www.newyorker.com/news/daily-comment/does-kamala-harris-need-a-latino-campaign">wrote about</a> the Republicans’ strategy for <i>The New Yorker</i>. He spoke with prominent Latino Trump supporters about why the message is resonating, and how they feel about all the signs reading “Mass Deportation Now.”</p><p>Plus, it’s time for one of those annual rituals that keeps the world turning: picking the song of the summer. “One way of thinking about it is a song that you hear involuntarily,” <a href="https://www.newyorker.com/contributors/kelefa-sanneh">Kelefa Sanneh</a> opines. “This isn’t the song that you play the most. It’s the song you hear everyone else listening to.” He joins fellow staff writer <a href="https://www.newyorker.com/contributors/amanda-petrusich">Amanda Petrusich</a> to propose four candidates for song of the summer: Sabrina Carpenter’s “Espresso”; Charli XCX’s “360,” from the much-buzzed “BRAT” album; Shaboozey’s “A Bar Song (Tipsy)”; and Karol G’s “Si Antes Te Hubiera Conocido.” David Remnick weighs in to break the tie.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

R.F.K., Jr., and the Central Park Bear, with Clare Malone

<p>The <i>New Yorker </i>staff writer Clare Malone’s Profile, <a href="https://www.newyorker.com/magazine/2024/08/12/robert-f-kennedy-jr-profile-presidential-campaign">What Does Robert F. Kennedy, Jr., Actually Want?</a> sheds light on Kennedy’s position in this Presidential race—and it also solves a ten-year-old mystery about a dead bear cub found in Central Park. On Sunday, Kennedy tried to get ahead of the publication of Malone’s story by relating the bizarre scheme (involving roadkill, falconry, dangerous bike lanes, and more) in a video that he released on social media. David Remnick talks with Malone about Kennedy’s highly unusual candidacy, and why he’s staying in the race.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Nancy Pelosi, the Power Broker

<p>Nancy Pelosi, who represents California’s Eleventh Congressional District, led the Democratic Party in the House of Representatives for so long, and so effectively, that one forgets she was also the first woman to hold the job. Her stewardship of consequential legislation—including the Affordable Care Act and the Inflation Reduction Act—during her eight years as Speaker is legendary. And Pelosi has wielded tremendous influence this election cycle: she seems to have been instrumental in persuading President Biden to withdraw from the campaign in place of a new Democratic candidate.  After years of friendship with Biden, it wasn’t easy, she tells David Remnick, who asks, “You think your relationship will be there?” “I hope so,” Pelosi admits. “I pray so. I cry so. I lose sleep on it.” After stepping away from Democratic leadership herself, in 2023, she wrote a book with a short and apt title: “<a href="https://www.amazon.com/Art-Power-Story-Americas-Speaker/dp/1668048043">The Art of Power</a>.”  Pelosi speaks to Remnick about the importance of having a strong mission undergirding the skills of political gamesmanship. “This is not for the faint of heart,” she says. “This is tough. If you know your ‘why,’ the slings and arrows are worth it. If you don’t know your ‘why,’ don’t even do this. . . . You’ve got to be proud of your wounds.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Israel’s Other Intractable Conflict (Part 2)

<p>Israel has occupied the West Bank of the Jordan River since 1967, after the third Arab-Israeli war, and ever since Israelis have settled on more and more of this contested land. Violence by armed settlers against their Palestinian neighbors has increased dramatically in recent years, as a far-right government came to dominate Israeli politics. Unless things change, the American journalist Nathan Thrall tells David Remnick, the future for Palestinians is “not unlike that of the Native Americans.” Thrall won a Pulitzer Prize for his book “A Day in the Life of Abed Salama,” which uses one isolated incident—a road accident in the West Bank—to illustrate the ways in which life under occupation has become nearly unlivable for Palestinians. On July 19th, the United Nations’ International Court of Justice issued an advisory ruling that the occupation violates international law. While the world’s attention is focussed on the devastating war in Gaza, and the escalating conflict between Israel and Hezbollah, the occupation of the West Bank remains a fundamental challenge for any peaceful resolution. </p><p>Remnick also speaks with Palestinian lawyer and author Raja Shehadeh, a longtime advocate for peace with Israel who lives in Ramallah. Palestinians “are, in a sense, living under a different law than the law of the settlements. And so the settlers are going to be part of Israel, and the laws of Israel apply to them—and that's annexation—but not to us. There will be two communities living side by side, each subject to different laws, and that's entirely apartheid.” Shehadeh’s new book is titled, “What Does Israel Fear from Palestine?” He argues that, as much as a concern for their security, many Israelis refuse to contemplate a two-state solution because recognizing Palestinians’ claims to nationhood challenges Israel’s national story.   Although Thrall believes that any false hope about an end to the conflict is damaging, he acknowledges that U.S. sanctions on violent settlers is a meaningful step, and Shehadeh sees the I.C.J.’s ruling as a new degree of global pressure. “That could bring about the end of the era of impunity of Israel,” Shehadeh believes. “And that can make a big difference.” </p><p>Plus, for the fiftieth anniversary of Philippe Petit’s famous high-wire walk between the Twin Towers of the old World Trade Center—a quarter mile up in the air—<i>The New Yorker</i>’s Parul Sehgal reads an excerpt from Gwen Kinkead’s Profile of Petit titled “<a href="https://www.newyorker.com/magazine/1987/06/15/philippe-petit-profile-high-wire-artist">Alone and in Control</a>.”  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Israel’s Other Intractable Conflict (Part 1)

<p>Israel has occupied the West Bank of the Jordan River since 1967, after the third Arab-Israeli war, and ever since Israelis have settled on more and more of this contested land. Violence by armed settlers against their Palestinian neighbors has increased dramatically in recent years, as a far-right government came to dominate Israeli politics. Unless things change, the American journalist Nathan Thrall tells David Remnick, the future for Palestinians is “not unlike that of the Native Americans.” Thrall won a Pulitzer Prize for his book “A Day in the Life of Abed Salama,” which uses one isolated incident—a road accident in the West Bank—to illustrate the ways in which life under occupation has become nearly unlivable for Palestinians. On July 19th, the United Nations’ International Court of Justice issued an advisory ruling that the occupation violates international law. While the world’s attention is focussed on the devastating war in Gaza, and the escalating conflict between Israel and Hezbollah, the occupation of the West Bank remains a fundamental challenge for any peaceful resolution. </p><p>Remnick also speaks with the Palestinian lawyer and author Raja Shehadeh, a longtime advocate for peace with Israel who lives in Ramallah. Palestinians “are, in a sense, living under a different law than the law of the settlements. And so the settlers are going to be part of Israel, and the laws of Israel apply to them—and that's annexation—but not to us. There will be two communities living side by side, each subject to different laws, and that’s entirely apartheid.” Shehadeh’s new book is titled “What Does Israel Fear from Palestine?” He argues that, as much as a concern for their security, many Israelis refuse to contemplate a two-state solution because recognizing Palestinians’ claims to nationhood challenges Israel’s national story.   Although Thrall believes that any false hope about an end to the conflict is damaging, he acknowledges that U.S. sanctions on violent settlers is a meaningful step, and Shehadeh sees the I.C.J.’s ruling as a new degree of global pressure. “That could bring about the end of the era of impunity of Israel,” Shehadeh believes. “And that can make a big difference.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Kamala Harris, Race, and the Presidency; Plus, Louisa Thomas on the Paris Olympics

<p>One of the big questions about Vice-President Harris’s candidacy is undoubtedly race. She would not be the first Black President. “I think that most times when people bring Kamala Harris and Barack Obama into the same conversation, they are kind of mistaken—it’s just this kind of wish-casting,” Vinson Cunningham says. But “what they do have in common is a Black father who is not from America. And this brings all kinds of strange things into being . . . in creating a Black American identity.” Cunningham and fellow staff writer Doreen St. Félix discuss Harris’s complicated identity as the child of Jamaican and Indian immigrants, and more.  </p><p>(This segment is an excerpt from <a href="https://www.newyorker.com/podcast/political-scene/the-strange-charisma-of-kamala-harris">a longer conversation</a> on The Political Scene.) </p><p>Plus, the <i>New Yorker</i> sports correspondent Louisa Thomas talks with David Remnick about some of the unusual venues of the Paris Olympics—from the Place de la Concorde and the supposedly cleaned-up Seine to a small reef village in Tahiti.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

What Kamala Harris Needs to Win the Presidency, from a Veteran of Hillary Clinton’s Campaign

<p>Kamala Harris will face barriers as a woman running for the Presidency. “Women constantly have to credential themselves,” Jennifer Palmieri, a veteran of Democratic politics who served in the Clinton Administration, says. She was also the director of communications for the Obama White House, and then for Hillary Clinton’s 2016 Presidential campaign. Harris will “need to remind people of what she has done in her career and what she’s done as Vice-President, because people assume that women haven’t accomplished anything.” But Harris also has notable strengths as a candidate, and, having avoided a bruising primary campaign—and having been handed a torch from the incumbent—she has advantages that no other woman running for office has had. For a woman candidate, the world has changed since 2016, Palmieri believes. She shares insights into how Joe Biden was finally persuaded to step out of the race, and explains what she meant by advising women to “nod less and cry more.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Karla Cornejo Villavicencio on “Catalina,” the Tale of an Undocumented Student at Harvard

<p>Catalina Ituralde is the protagonist of the novel that bears her name, “<a href="https://www.amazon.com/dp/0593449096">Catalina</a>.” In the summer before her senior year of college, she’s working as an intern at a prestigious literary magazine, and come fall she’ll be back at Harvard to plot her future. But, contrary to a life of comfort that this scenario suggests, Catalina’s situation is complicated and uncertain: she’s an undocumented immigrant, raised in Queens by her grandparents, and after graduation she might not have the privilege of choosing what job she takes. “Catalina”<i> </i>is the second book by Karla Cornejo Villavicencio, who first gained attention with <a href="https://www.thedailybeast.com/dream-act-im-an-illegal-immigrant-at-harvard">the essay</a> “I’m an Illegal Immigrant at Harvard,” published anonymously in the Daily Beast; her first book, “<a href="https://www.amazon.com/dp/0399592687">The Undocumented Americans</a>,” was a finalist for the National Book Award. Though Villavicencio has since become an American citizen, “There’s this Latin American paranoia that comes from my parents, [who] grew up under a dictatorship,” she tells David Remnick. “I’ve heard all of these stories . . . and then there’s also being undocumented here, where the idea that I could disappear at any time, my parents could disappear at any time – I don’t think that I’m necessarily capable of feeling that kind of permanence.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Presidential Race Is in Uncharted Territory, but It’s Clear Who’s Winning

<p>The movement to persuade President Biden—long after the primaries—to drop out of the Presidential race is unprecedented. So is the candidacy of a convicted felon. But this election season went from startling to shocking with the assassination attempt on Donald Trump and the death of a bystander. Despite the unknowns, the contours of the race are becoming clear, the CNN data journalist Harry Enten tells <a href="https://www.newyorker.com/contributors/clare-malone">Clare Malone</a>. President Biden’s support in national polls following his disastrous performance in the June debate slipped just slightly. But in key swing states, Biden’s support has ebbed to a point that has terrified Democrats. Malone spoke with Enten while he was covering the Republican National Convention, in Milwaukee. She asked Enten about how the attempt on Ronald Reagan’s life affected his favorability. Malone also spoke with the highly regarded pollster Ann Selzer, who runs polling for the Des Moines <i>Register</i>. Selzer explains how the polls know what they know—even when so many people don’t pick up their phones. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Jane Mayer, David Grann, and Patrick Radden Keefe on the Importance of a Good Villain.

<p>During the 2023 New Yorker Festival, three legendary staff writers got together to discuss the craft of investigative journalism: digging for information like detectives, and then presenting it in a way to rival the best thrillers. For each of these writers, the “bad guy” —whose actions usually set the story in motion – needs to be presented in three dimensions; trusting the reader to grapple with that person’s perspective is key to an engrossing story. “I look at these big, boring issues often, like economic inequality or corruption in politics,” <a href="https://www.newyorker.com/contributors/jane-mayer">Jane Mayer</a> says. “You take a subject like campaign finance – the Citizens United decision and how it’s corrupted politics. If you can find somebody like [Charles or David] Koch and explain there actually was a billionaire behind so much of this, and he has a story, and he has a family, and there are always screwed-up fathers and sons involved in these families. . . . It means that you’re able to explain the ethical choices people make.” Mayer is best known for her book “<a href="https://www.amazon.com/Dark-Money-History-Billionaires-Radical/dp/0307947904">Dark Money</a>,” about the Koch brothers; <a href="https://www.newyorker.com/contributors/david-grann">David Grann</a> wrote “<a href="https://www.amazon.com/Killers-Flower-Moon-Osage-Murders/dp/0307742482/">Killers of the Flower Moon</a>” and “<a href="https://www.amazon.com/Wager-Tale-Shipwreck-Mutiny-Murder/dp/0385534264/">The Wager</a>,” both <a href="https://www.amazon.com/Wager-Tale-Shipwreck-Mutiny-Murder/dp/0385534264/">best-sellers</a>; and <a href="https://www.newyorker.com/contributors/patrick-radden-keefe">Patrick Radden Keefe</a> covered the Sackler family’s opioid dynasty in “<a href="https://www.amazon.com/Empire-Pain-History-Sackler-Dynasty/dp/1984899015/">Empire of Pain</a>,” and a murder during the Troubles in Northern Ireland in “<a href="https://www.amazon.com/Say-Nothing-Murder-Northern-Ireland/dp/0307279286/">Say Nothing</a>.”  They were joined by their editor, <i>The New Yorker’s</i> <a href="https://www.newyorker.com/contributors/daniel-zalewski">Daniel Zalewski</a>.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>