The New Yorker Radio Hour

Rev. Franklin Graham Offers an Evangelist’s View of Donald Trump

<p>Like his father, Rev. Billy Graham, before him, Rev. Franklin Graham is one of the nation’s most prominent preachers, influential in the evangelical world and in the highest echelons of Washington. But where Billy Graham came to regret that he had “sometimes crossed a line” into politics, Franklin Graham has no such qualms about showing his full-throated support of the President. An early advocate of Trump’s candidacy, he has remained stalwart even as scandals pile up. Graham tells the <em>New Yorker</em> staff writer <a href="https://www.newyorker.com/contributors/eliza-griswold">Eliza Griswold</a> that Trump’s critics have forgotten that “he’s our President. If he succeeds, you’re going to benefit.” Of Trump’s many personal scandals, Graham says only, “I hope we all learn from mistakes and get better. . . . As human beings, we’re all flawed, including Franklin Graham.” Plus, the novelist Curtis Sittenfeld on her love for the St. Louis grocery chain Schnucks.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

For a Palestinian Candidate, a Contested Election in Jerusalem

<p>Ramadan Dabash is a civil engineer and a <em>mukhtar</em>—an Arab community leader—in his neighborhood of East Jerusalem. His run for a seat on the city council of Jerusalem has been making international headlines because the Palestinian community has long refused to participate in city politics, which they see as legitimizing Israeli rule. (Palestinians in Jerusalem can vote in municipal elections, but do not have representation in Israel’s national government.) But with no political solution in sight Dabash feels an imperative to engage in city politics in order to bargain for infrastructure and services for the people of East Jerusalem. In doing so, he could be courting attacks from Hamas, Fatah, or Israelis angered by his move into politics. But he also has unlikely allies, including a hard-right Likud member who supports the Israeli settlement movement and might have his own motives for supporting Palestinian engagement.  <a href="https://www.newyorker.com/contributors/bernard-avishai">Bernard Avishai</a>, a <em>New Yorker</em> contributor based in Jerusalem, interviewed Dabash at length, and he explains the complexities of his campaign to David Remnick.  </p> <p>The Jerusalem city-council election takes place on October 30th.  Plus, the acclaimed writer Calvin Trillin talks about another side of his career, as the screenwriter of movies performed by his children, grandchildren, and their friends.   </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

David Simon’s “The Deuce” Charts the Rise of Pornography

<p>David Simon is sympathetic to the sex workers he depicts in “The Deuce,” which will return to HBO for its second season in September. He is even sympathetic to some of the pimps and mobsters who were involved in the early years of the porn business. He is unambiguously critical, however, of porn’s effect on America. He tells David Remnick that porn—universally available on the Internet in its most extreme forms — has warped a whole society toward misogyny, and that we have not yet begun to reckon with its effects. Plus, the fiction writer Yiyun Li on the appeal of cemeteries, and Nick Lowe talks about getting old gracefully in rock and roll.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

An N.Y.P.D. Sergeant Blows the Whistle on Quotas

<p>Sergeant Edwin Raymond is the lead plaintiff in a lawsuit filed by a group of New York City police officers who have become famous as “the N.Y.P.D.-12.” They claim that, despite a 2010 statewide ban, officers are forced to meet monthly quotas for arrests and summonses—and that those quotas are enforced disproportionately on people of color. “They can't enforce [quotas] in Park Slope, predominantly white areas,” Raymond says. “But yet here they are in Flatbush, in Crown Heights, in Harlem, Mott Haven, South Side of Jamaica, enforcing these things.” He walks <a href="https://www.newyorker.com/contributors/jennifer-gonnerman">Jennifer Gonnerman</a> through the process by which so-called quality-of-life or broken-windows policing—advocated forcefully by former New York Police Commissioner William Bratton—led to a form of systemic racism in policing.  Although he was concerned about what blowing the whistle would do to his own career, Raymond was promoted to sergeant, and he continues to hear from people around the world concerned about the spread of quota policing—which he calls “Bratton’s cancer.”</p> <p> </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Three Actors Explain What It Means to be “Presidential”

<p>During the lead-up to the 2016 election, three actors who have played fictional Presidents of the United States discussed what it means to be “Presidential,” in a panel moderated by <a href="https://www.newyorker.com/contributors/michael-schulman">Michael Schulman</a>. Bill Pullman, who, as President Thomas J. Whitmore, rallied the nations of the world to join forces in “Independence Day,” talks about how a reaction to Bill Clinton informed the movie’s depiction of an ex-military President. Alfre Woodard talks about how “State of Affairs” imagined a second black President in the character of Constance Payton. And Tony Goldwyn, who played Fitzgerald Grant, on “Scandal,” talks about Presidential nudity.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Seth Meyers Talks with Ariel Levy

<p>Seth Meyers—a veteran of “Saturday Night Live” and the host of NBC’s “Late Night with Seth Meyers”—sat down at the 2017 New Yorker Festival to walk <a href="https://www.newyorker.com/contributors/ariel-levy">Ariel Levy</a> through a career that seems charmed. As an unknown improv performer, Meyers was picked for the cast of “Saturday Night Live”; he eventually became the show’s head writer and the host of “Weekend Update,” alongside Amy Poehler. Along the way, Meyers tells Levy, he had a number of strange run-ins with Donald Trump. When Trump appeared on “S.N.L.,” he was in a sketch about his lack of empathy, with Meyers playing his son. Later, Meyers hosted the White House Correspondents’ Association dinner and observed that “Donald Trump says he has a great relationship with the blacks. But unless the Blacks are a family of white people, I think he’s mistaken.” After, it was widely reported that President Obama’s mockery of Trump at that event spurred Trump to launch a campaign for the Presidency. At first, Meyers was hurt by the lack of attention. “I wanted to share credit. . . . I helped trick an unelectable person to run for President,” Meyers says. “Then he won. And when he won, my first thought was, ‘This is Obama’s fault. I had nothing to do with it.’ ”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

David Remnick on Aretha Franklin

<p>Aretha Franklin brought Barack Obama to tears when she performed “(You Make Me Feel Like) A Natural Woman” at the Kennedy Center Honors tribute to Carole King in December 2015. When video from that <a href="https://www.youtube.com/watch?v=XHsnZT7Z2yQ" target="_blank">event went viral</a>, it reawakened Aretha fans across the country.<em> The New Yorker</em>’s David Remnick, <a href="http://www.newyorker.com/magazine/2016/04/04/aretha-franklins-american-soul" target="_blank">who wrote about Franklin</a>, looks back on the singer’s childhood in Detroit and reflects on her music’s unparalleled combination of “Saturday night and Sunday morning.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Weeding with Parker Posey

<p>Parker Posey has been a vivid presence in American film, especially indie film, for twenty-five years. She got her start in “Dazed and Confused,” and went on to appear in dozens of movies, including Christopher Guest’s cult-classic satires “Waiting For Guffman,” “Best in Show<i>,</i>” and “A Mighty Wind.”</p> <p>Like her performances, Parker Posey’s new memoir is surprising and funny. “You’re On an Airplane” is written as a monologue delivered by the author to her seatmate on a long flight. It’s also full of recipes, and it includes instructions for throwing pottery. Being so practical and resourceful—not to mention a former cheerleader—served Posey in good stead when she, <i>The New Yorker</i>’s <a href="https://www.newyorker.com/contributors/michael-schulman">Michael Schulman</a>, and his producer <a href="https://www.newyorker.com/contributors/alex-barron">Alex Barron</a> found themselves locked out of her building and trapped in the small yard behind it.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Lee Child, “Moby-Dick,” and Other Summer Reads

<p>We delve into the escapist joys of a great summer read. David Remnick talks with Lee Child, whose thrillers about Jack Reacher—twenty-three books and counting, with a hundred million copies in print—bring the mystique of the cowboy to modern America. Amanda Petrusich says that the start of “Moby-Dick” nails the desperation to get out of town that afflicts every New Yorker; Vinson Cunningham explains how the usually tragic plays of Eugene O’Neill help him loosen up and find his rhythm as a prose writer; and Helen Rosner pulls out a cookbook to make a strawberry fool—a luridly hued but beautiful dessert that perfectly captures the taste of summer.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

William Finnegan Surfing, and Kristen Roupenian Among the Pilgrims

<p>William Finnegan’s memoir, “Barbarian Days,” from 2015, holds the distinction of being the one book about surfing to win a Pulitzer Prize. On a Sunday morning, not long past dawn, he took David Remnick to the Rockaways for his first and only surfing lesson. And Kristen Roupenian, the author of the story “Cat Person,” revisits her old stomping grounds of Plimoth Plantation, the living-history museum in Plymouth, Massachusetts, where reënactors portray pilgrims from the early seventeenth century. Roupenian’s “Cat Person” revolves around online romance and consent, and it touched a nerve with readers in the #MeToo era, becoming one of the most-read stories ever on newyorker.com. It couldn’t be more of the moment, but Roupenian credits those Pilgrim reënactors for shaping her as a writer. Growing up near Plimoth Plantation, she says, you realize early that history isn’t a sequence of facts: it’s always a story someone is telling you.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Astrid Holleeder’s Crime Family

<p><span>All her life, Astrid Holleeder knew that her older brother Willem was involved in crime; in their tough Amsterdam neighborhood, and as children of an abusive father, it wasn’t a shocking development. But she was stunned when, in 1983, Willem and his best friend, Cornelius van Hout, were revealed to be the masterminds behind the audacious kidnapping of the beer magnate Alfred Heineken. Although he served some time for the crime, it was only the beginning of the successful career of Holleeder. He became a celebrity criminal; he had a newspaper column, appeared on talk shows, and took selfies with admirers in Amsterdam. He got rich off of his investments in the sex trade and other businesses, but kept them well hidden. But when van Hout was assassinated and other of Holleeder’s associates started turning up dead, Astrid suspected that her brother had committed the murders. She decided to wear a wire and gather the evidence to put him away.f that didn't work, she told the <i>New Yorker</i> staff writer <a href="https://www.newyorker.com/contributors/patrick-radden-keefe">Patrick Radden Keefe</a>, she would have to kill Willem herself. Willem is on trial now for multiple murders, and Astrid is testifying against him. Living in hiding, travelling in disguise, she tells Keefe the story of her complicity and its consequences. Keefe’s story about Astrid Holleeder, “<a href="https://www.newyorker.com/magazine/2018/08/06/how-a-notorious-gangster-was-exposed-by-his-own-sister">Crime Family</a>,” appears in this week’s magazine.</span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Tommy Orange and the Urban Native Experience

<p>Tommy Orange had never read a book about what it means to be a Native American in a big city. In a conversation with <i>The New Yorker</i>’s fiction editor, Orange says that urban Native writers like himself—he is a member of the Cheyenne and Arapaho tribes of Oklahoma, and grew up in Oakland, California—may feel their own experience to be inauthentic, compared to stories set on the reservation. Orange’s début novel, “There, There,” follows a small cast of Native characters whose lives converge at a powwow at the Oakland Coliseum. Plus, Vinson Cunningham on the particular joys of a New York wedding, complete with metal detectors.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Helsinki Fallout

<p>At the recent summit in Helsinki, Vladimir Putin proposed that, in exchange for letting Robert Mueller interrogate some G.R.U. agents who are linked to election hacking, the U.S. should turn over a group of officials and citizens to Moscow. The most senior of them was Michael McFaul, who served as the U.S. Ambassador to Russia during the Obama Administration—a time of chilly relations between the nations. McFaul and his family were subjected to treatment unthinkable for a diplomat: stalking, harassment, and surveillance.  The White House has said that it is no longer considering Putin’s overture, but McFaul tells David Remnick that Putin’s increasingly assertive behavior—and Trump’s reverential attitude towards Putin—has him concerned for his safety. Meanwhile, after Helsinki, bipartisan support is growing in the Senate for a bill that would impose severe sanctions on Russia to retaliate for election meddling. Senator Chris Van Hollen, a Democrat from Maryland, is a co-sponsor of the DETER Act, and he tells staff writer Susan Glasser that the daylight between congressional Republicans and the President is growing.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Thomas McGuane and Callan Wink Go Fishing

<p>Thomas McGuane, the acclaimed author of “The Sporting Club,” thinks fiction set in the American West could stand to lose some of its ranching clichés. The novelist, a consummate outdoorsman and devoted fisherman, met up with the writer Callan Wink, who recently published his first book of stories and works as a fishing guide on the Yellowstone River.  McGuane and Wink discussed the state of the short story and the late author Jim Harrison, a mutual friend, all while sitting in a fifteen-foot drift boat. And, yes, they caught a few fish, too. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Philip Roth’s American Portraits and American Prophecy

<p>The novelist and short-story writer Philip Roth died in May at the age of eighty-five. In novels like “Portnoy’s Complaint,” “The Human Stain,” and “American Pastoral,” Roth anatomized postwar American life—particularly the lives of Jewish people in the Northeast. And in works like “The Ghost Writer” and “The Plot Against America,” he speculated on how the shadow of authoritarianism might fall over the United States. The breadth and depth of Roth’s work kept him a vital literary figure throughout the second half of the twentieth century, and established him among the most respected writers of fiction in American history. David Remnick speaks with Roth’s official biographer, Blake Bailey, about Roth’s life and career. Judith Thurman, Claudia Roth Pierpont, and Lisa Halliday discuss the portrayals of women in Roth’s work and the accusations of misogyny that he has faced. And, finally, we hear an interview with the author, from 2003, when he sat down with David Remnick for the BBC. Plus: the actor Liev Schreiber reads excerpts from Roth’s fiction.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Rezneck Riders

<p>The Navajo Nation covers over twenty-seven thousand square miles in Arizona, Utah, and New Mexico; it’s an area roughly the size of West Virginia. Vincent Salabye grew up there, in a community troubled by memories of conquest by the United States Army and by persistent poverty, addiction, and despair. To grapple with these hereditary demons, Salabye came up with a novel idea: he hopped on a bike. As a kid, he once rode all the way to Texas and back: almost three thousand miles. “That's my horse,” says Vincent. “It takes me places. That's always ingrained in me. That's how my mind-set is, trying to explore the lands that I always grew up on.”</p> <p>Now a new crop of cyclists on the Navajo Nation are following Salabye’s impulse, and making a new kind of bike riding called Enduro their own. It’s a dangerous, difficult, and extremely intense form of high-speed downhill racing. Enduro has given some Navajo men a new way to connect with their ancient tribal lands and to defy the hard prospects and low expectations that too often characterize coming of age on the rez.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Brazil, Bruce Lee, and Black Lives in the Music of Kamasi Washington, and the Uncertain Future of the Democratic Party

<p>Benjamin Wallace-Wells provides a survey of some key midterm races and considers what they tell us about the direction of the Democratic Party. And David Remnick speaks with the saxophonist and bandleader Kamasi Washington. For anyone who thinks of jazz as just classic compositions played in dimly lit clubs, Washington’s music will come as a surprise and revelation. His concerts are like dance parties. And his albums draws on influences from Coltrane to Stravinsky to Fela Kuti to N.W.A. His eclectic style has made him a star in the jazz world, and has attracted some high-profile collaborators, including Lauryn Hill, Snoop Dogg and Kendrick Lamar. And the political message of some of his music led one critic to call him “the jazz voice of Black Lives Matter.” “The major effect that music has is it connects people,” Washington tells David Remnick, “That’s kind of the extent of what the music can do. In the end, the world changes as people decide to change.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Love, War, and the Magical Lamb-Brain Sandwiches of Aleppo, Syria

<p>When<a href="https://www.newyorker.com/contributors/adam-davidson"> Adam Davidson</a> was a reporter in Baghdad during the Iraq War, he started dating a fellow-reporter, Jen Banbury, of Salon. On a holiday break, they left the war zone and traveled to Aleppo, Syria—then a beautiful, ancient, bustling city—and, while there, they ate the best sandwiches that they had ever had. They were shockingly good, so much so that Adam and Jen never quite registered what was in them or where they came from. The couple, now married, told this story to many friends over the years, but none was more interested than Dan Pashman, the host of the food podcast “<a href="http://www.sporkful.com/">The Sporkful</a>.” Fascinated by the mystery, Pashman set out on a quest to find and re-create the sandwiches. He talked to Syrian emigrés, a political refugee, and finally to Imad Serjieh, the owner of the family sandwich shop that bears his last name. Pashman found that the Serjieh sandwiches—preferably the one made with boiled, spiced lamb brain—aren’t just a local favorite; they capture the essence of the city, and, as long as they are still being made, Pashman thinks, Aleppo lives. Plus, the writer and monologuist<a href="https://www.newyorker.com/contributors/jenny-allen"> Jenny Allen</a> has something she’d like to say to you—or, rather, some things she’d like you to stop saying.</p> <p><i>This episode originally aired on November 10, 2017</i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Tina Brown on Vanity Fair, the Eighties, and Harvey Weinstein

<p>Tina Brown is a legend in New York publishing. She was barely thirty years old when she was recruited from London to take over a foundering <em>Vanity Fair</em>. Take over she did, becoming one of the power centers of New York culture by bringing together the intellectual world and the celebrity world of entertainment. She later brought enormous change to <em>The New Yorker</em> (including, for the first time, photographs); she launched <em>Talk</em> magazine with Harvey Weinstein; and she helped launch the Daily Beast. Her new book, “The Vanity Fair Diaries, 1983-1992” is a kind of coming-of-age story about a pre-Internet era of unruffled ambition, unlimited budgets, big shoulders, big hair, and fabulous parties.</p> <p>Tina Brown tells David Remnick that her experience with Weinstein, as unpleasant as it was—she found the mogul “bullying [and] duplicitous,” profane and erratic—did not prepare her for the revelations of brutality and intimidation that have been published in <em>The New Yorker </em>and elsewhere. The experience has shaken her. “I have friends who’ve been accused of things who I want instinctively to defend, but I’ve held back,” Brown says. “Because I don’t know what’s coming next. The truth is, you realize you don’t really know anybody.” Plus, the cartoonist Emily Flake on the joys of Rudy’s Bar, where the combo of a shot and a beer costs five bucks. The sense of history and ritual, and the troubles confessed across generations, remind her of church—but at church, Flake points out, “they’re not going to let you sit around for six hours and drink.”</p> <p><em>This episode originally aired on November 10, 2017</em></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Naomi Klein Interviewed by Jia Tolentino

<p>The author of “No Logo” and “The Shock Doctrine,” Naomi Klein has become what Noam Chomsky was to an earlier generation of leftists. Her theories tie inequality and climate change together, arguing that capitalists use disasters to advance the agenda of neoliberalism. In a conversation with the staff writer <a href="https://www.newyorker.com/contributors/jia-tolentino">Jia Tolentino</a> at the 2017 New Yorker Festival, Klein makes the case that, by embracing billionaire “saviors” like Bill Gates and Michael Bloomberg, liberals helped pave the way for Donald Trump. She is clearly a partisan of the left, but she thinks we could all benefit from reflecting on the ways that each of us—on social media, for example—is a little bit Trumpish.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Hasan Minhaj Interviewed by Vinson Cunningham

<p>On a high-school speech-and-debate team, Hasan Minhaj learned the value of a joke: “If I made the judges laugh, I automatically saw an increase in the amount of points that I would get. And so I was like, ‘Oh, that’s a really powerful tool to get people on your side.’ ”  Now a “Daily Show” correspondent, Minhaj was asked to host the White House Correspondents’ Association dinner during the first year of the Trump Administration. “No one wanted to do this,” he said. “So, of course, it lands in the hands of an immigrant.” But he is increasingly aware of the limits of comedy. After performing at the Moth’s story-slam events, he wrote the special “Homecoming King,” now on Netflix, which describes the hate crimes that his Indian immigrant family endured after September 11th.  He spoke with the staff writer <a href="https://www.newyorker.com/contributors/vinson-cunningham">Vinson Cunningham</a> at the 2017 New Yorker Festival. Plus, Yotam Ottolenghi finished a graduate program in philosophy; he tells Jane Kramer why he left it for a life in the kitchen.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Molly Ringwald, Judd Apatow, and #MeToo

<p>The John Hughes films that made Molly Ringwald famous—“Sixteen Candles,” “Pretty in Pink,” and “The Breakfast Club”—look very different to their star now that she has a teen-age daughter of her own. Speaking with the writer and director Judd Apatow, who was heavily influenced by Hughes, Ringwald says, “I don’t want to imagine a world where somebody basically mistreats my daughter and she doesn’t expect an apology.”  But Apatow is well aware that, in time, audiences may judge his own body of work critically: “People will watch it in the future and go, ‘Whoa, how did they think that was O.K. to do?’ ” Plus, Autumn Miles, a survivor of domestic abuse who has become an evangelical activist, says that churches need to stop encouraging women to submit to abuse. If male church leaders are guilty of sexism, she tells Eliza Griswold, they need to “repent.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Government Took Her Son. Will It Give Him Back?

<p>Border Patrol, which has forcibly separated families in border detention, has put some immigrant children in the care of a separate agency, the Office of Refugee Resettlement. Although a recent executive order modified the Administration’s “zero tolerance” policy of child separation, it said nothing about reuniting the more than two thousand children still in detention with their families. <a href="https://www.newyorker.com/contributors/jonathan-blitzer">Jonathan Blitzer</a> has reported on the bureaucratic nightmare facing mothers and fathers when the government is unable or unwilling to tell them where their children are. At an ICE facility in El Paso, Blitzer spoke with Ana Maritza Rivera, whose five-year-old son, Jairo, was taken from her. Through sheer luck, she found a case worker who knew his location, but it isn’t clear whether the government will reunite them before deporting Rivera to her native Honduras. Blitzer says that Rivera told an official, “If I get to the airport and my son is not there, you’ll be killing me.” And two crossword-puzzle constructors explain to David Remnick how they are crafting clues for a younger, more diverse audience of “solvers.” “I want to see more bands that I like,” Kameron Austin Collins says. “I want to see more black people—black people who aren’t Jay-Z or Nas, who are common in crossword puzzles because of the letter combinations.”  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

The Comedian Hannah Gadsby Goes Big Time, and Renounces Comedy

<p>Hannah Gadsby is a headlining comedian in Australia, a regular at the Edinburgh Fringe Festival, and is about to become a very big deal in America with a special on Netflix called “Nanette.”  It’s a full-length comedy show, and at the same time, a carefully structured critique of stand-up comedy. “Nanette” reflects her experiences as an overweight woman, a lesbian, a native of Tasmania, and an adult diagnosed with autism, and addresses subjects as serious as Gadsby’s sexual assault..  She tells <i>The New Yorker’s</i> Emily Nussbaum that comedy contains a kind of violence, and she might be done with it.  Plus: Amanda Petrusich picks three outdoor music festivals worth sweating for.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

James Wood Is Done “Prosecuting Wars”

<p>Jane Mayer explains why Charles and David Koch are willing to spend as much as thirty million dollars on advertising that opposes Donald Trump’s campaign of tariffs—right as the midterm elections offer voters a referendum on his Presidency.  And David Remnick speaks with James Wood, the literary critic and sometime novelist.  When Wood joined <i>The New Yorker</i> as a literary critic, he promised that he wouldn’t “go soft”: he had been well known at <i>The New Republic</i> for battles with prominent writers whose styles he found flawed.  Wood tells David Remnick that he now regrets that choice of words. Changing his mind or expanding his taste needn’t be seen as form of capitulation.  Criticism itself, Wood says, has been, to some degree, a detour from his calling: writing his own fiction. Wood’s new novel, “Upstate,” follows a father—an Englishman, like Wood—as he spends time with his adult daughters.  One is an energetic corporate executive, the other a melancholy professor of philosophy. The book is a meditation on what it means to be a parent, and Wood notes that male novelists, including Karl-Ove Knausgaard and Michael Chabon, are finally beginning to write about the experience of parenting as a central concern.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

In the Civil Service, Loyalty Now Comes Before Expertise

<p>Donald Trump came into office promising to make so many cuts to the government that “your head will spin.” <a href="https://www.newyorker.com/contributors/evan-osnos">Evan Osnos</a> has been reporting from Washington on how the Administration is radically changing the civil service, and he’s found that, to a degree unprecedented in modern times, political loyalty is prized over qualifications and experience. In many departments, senior officials deemed insufficiently loyal have been “turkey-farmed”—reassigned to jobs that are meaningless or less important than their previous posts. (The practice was known in the Nixon Administration as the “new activity technique.”) Osnos spoke with Matthew Allen, who was, until recently, the communications director at the Bureau of Land Management. And Bob Odenkirk, who played a newsman in “The Post,” reminds you of some headlines you may have missed.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Another Fiasco for American Soccer, and Praying for Tangier

<p>The 2018 World Cup begins this week in Russia, and America is taking a powder. The men’s team failed to qualify for the tournament after a stunning upset loss to Trinidad and Tobago, which is considered to be one of the worst teams in competition. Perhaps no fan was more upset than Roger Bennett, an English soccer commentator and new U.S. citizen, who has rather quixotically devoted himself to the sport as it’s played in America. Bennett is the co-host of the podcast “Men in Blazers” from NBC Sports, and recently hosted “<a href="https://itunes.apple.com/us/podcast/american-fiasco/id1389231303?mt=2">American Fiasco</a>” for WNYC Studios—a longform exploration of the epic U.S. failure in the 1998 World Cup. Bennett spoke with Michael Luo, the editor of newyorker.com, about why the same problems keep casting a shadow over the sport’s future in America. Plus, a visit to Tangier, Virginia. The island is washing out to sea, and its residents may be among the first American refugees of climate change. But that’s not how they see the loss of their island.</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Anthony Bourdain’s Interview with David Remnick

<p>Anthony Bourdain—the chef turned author, food anthropologist, and television star—died this week, at sixty-one. Bourdain made his début in <em>The New Yorke</em>r in 1999, with an essay called “<a href="https://www.newyorker.com/magazine/1999/04/19/dont-eat-before-reading-this">Don’t Eat Before Reading This,</a>” about working in the restaurant industry. {{}}   It was an account of what really goes on in restaurants—extremely vivid, funny, gross, and, in parts, genuinely disturbing. After the success of that article, Bourdain went on to publish his best-selling memoir, “Kitchen Confidential,” and it’s no exaggeration to say that a star was born. When he took to television, it wasn’t for a typical celebrity-chef “stand and stir” show, but for a much more ambitious endeavor. On “Parts Unknown,” Bourdain travelled the world with a film crew, in search of authenticity.  It was never just about the food: his focus was on the people who make it and the people who eat it—from the farmers to the cooks to the diners, including President Obama, who Bourdain shared a meal with in Vietnam.</p> <p>He spoke with David Remnick in 2017.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Angélique Kidjo and David Byrne on “Remain in Light”

<p>When a young <a href="https://www.newyorker.com/contributors/amanda-petrusich">Amanda Petrusich</a>, now a staff writer who covers music, first heard Talking Heads’ “Remain in Light,” she felt “almost like it was being beamed in from outer space.” The record, released in 1980, was strikingly original—a hybrid of experimental rock, Afrobeat, and seventies funk, reimagined by a white American rock band and their English producer. Nearly forty years later, the Beninese pop star Angélique Kidjo has chosen to release her own, track-by-track cover version of “Remain in Light,” working with the producer Jeff Bhasker, who is known for his collaborations with Kanye West and Beyoncé. Kidjo has figuratively brought the record back to Africa, with spoken interludes in her native language of Fon. Nonetheless, she is skeptical of the idea of cultural appropriation, broadly defined.  “Who are we to [own] any culture?” she asks. “Even our own culture doesn’t belong to us.” Petrusich spoke with Kidjo and with David Byrne, formerly of Talking Heads, about the impulses behind both versions, and the large influence of Fela Kuti. And the food correspondent Helen Rosner recommends a baking show, a book, and a perfect summer cake recipe.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>

Glenda Jackson Onstage, and Marco Rubio on “Modernizing” Conservatism

<p>Glenda Jackson, who has played both Queen Elizabeth and King Lear, served as a humble member of Parliament for more than two decades in between those roles; she talks with David Remnick about performing at eighty-two and about the state of British politics. And Marco Rubio talks with Susan B. Glasser about the threat of China and how to be a conservative in Trump’s Washington.  </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>